For Avid, choose 'MXF OP-Atom' under Video Format and 'DNxHD 1080p 145/120/115 8-bit' under codec.In the Render Settings window, select 'Individual Source Clips'.Now navigate to the 'Deliver' tab on the bottom of the screen.Select all of your clips and drag them into the new timeline.Right mouse click in the Timelines window and select 'Create New Timeline'.Now navigate to the 'Edit' tab on the bottom of the screen.Change your project settings to match the imported clips if prompted. Select it, right mouse click, and choose 'Add folder and subfolders to media pool'. Under the Media Storage window in the top right hand side of the screen, navigate to the footage on your hard drive.Open DaVinci Resolve and make sure you are on the 'Media' tab on the bottom of the screen.You can use DaVinci Resolve in the Post Production Labs or by downloading the free lite version of Davinci from Blackmagic.

However, creating proxies in Premiere or Avid may be a more streamlined workflow. Why DaVinci Resolve?ĭaVinci Resolve is a good option to transcode your footage because it is well-equipped for handling 2K and 4K video and because the workflow allows for adding burned in LUTs. Creating proxy media is a great way to speed up the editing process without impacting your final product. Certain video codecs in any resolution are also not ideal for editing. When you shoot in 2K or 4K, it's not advisable to use that footage for editing, as the high level of information contained in every frame will slow you down.

Setting up davinci resolve 17